| Year | Play |
Playwright |
| 1938 | Mrs. Wiggs of the Cabbage Patch | Alice Hegan Rice |
| 1938 | Personal Appearance | Lawrence Riley |
| 1938 | The Amazing Dr. Clitterhouse | Barre Lyndon |
| 1938 | The Lady Has a Heart | Ladislaus Bush-Fekete |
| 1938 | Tovarich | Deval-Sherwood |
| 1939 | It's a Wise Child | Larry Johnson |
| 1939 | Kiss the Boys Goodbye | Claire Booth |
| 1939 | Petticoat Fever | Mark Reed |
| 1939 | Rebound | Donald Ogden Stewart |
| 1939 | Susan and God | Rachel Crothers |
| 1939 | Thieves Fall Out | Alice Mackenzie, John Hayden |
| 1939 | Tonight or Never | David Belasco |
| 1939 | Twin Beds | Salisbury Field, Margaret Mayo |
| 1939 | You Can't Eat the Goldfish | Marcella Burke, Gladys Unger |
| 1942 | George Washington Slept Here | Kaufman & Hart |
| 1946 | Biography | S.N. Behrman |
| 1946 | Claudia | Rose Franken |
| 1946 | Private Lives | Noel Coward |
| 1946 | Rocket to the Moon | Clifford Odets |
| 1946 | Skylark | Samson Raphaelson |
| 1946 | Suspect | Reginald Denham, Edward Percy |
| 1947 | A Bill of Divorcement | Clemence Dane |
| 1947 | Dark Eyes | Elena Miramova, Eugenie Leontovich |
| 1947 | Dream Girl | Elmer Rice |
| 1947 | Ladies in Retirement | Reginald Denham, Edward Percy |
| 1947 | Laughter from a Cloud | Lynn Riggs |
| 1947 | Personal Appearance | Lawrence Riley |
| 1947 | Springtime for Henry | Benn W. Levy |
| 1947 | The Hasty Heart | John Patrick |
| 1947 | The Late Christopher Bean | Sidney Howard |
| 1947 | The Little Foxes | Lillian Hellman |
| 1947 | The Male Animal | James Thurber, Elliot Nugent |
| 1947 | Too Many Husbands | Somerset Maugham |
| 1947 | Vinegar Tree | Paul Osborn |
| 1948 | Alice-Sit-by-the-Fire | James M. Barrie |
| 1948 | Amphitryon 38 | Jean Giradoux adapted by S.N. Behrman |
| 1948 | The Beaux' Strategem | George Farquhar |
| 1948 | Chicken Every Sunday | Julius J. and Philip G. Epstein |
| 1948 | Escape Me Never | Margaret Kennedy |
| 1948 | Gala Closing Bill | *** |
| 1948 | Hand in Hand | Leonard Gershe, Dean Fuller |
| 1948 | Meet the Wife | Lynn Starling |
| 1948 | Papa Is All | Patterson Greene |
| 1948 | Springtime for Henry | Benn W. Levy |
| 1948 | The Importance of Being Earnest | Oscar Wilde |
| 1948 | The Magistrate | Sir Arthur Wing Pinero |
| 1948 | The Marquise | Noel Coward |
| 1948 | The Philidelphia Story | Philip Barry |
| 1948 | Twentieth Century | Ben Hecht, Charles MacArthur |
| 1949 | Charm | John Kirkpatrick |
| 1949 | For Love Or Money | F. Hugh Herbert |
| 1949 | Good Houskeeping | William McCleery |
| 1949 | John Loves Mary | Norman Krasna |
| 1949 | Let Us Be Gay | Rachel Crothers |
| 1949 | Lovers and Friends | Dodie Smith |
| 1949 | Night Must Fall | Emlyn Williams |
| 1949 | Present Laughter | Noel Coward |
| 1949 | Private Lives | Noel Coward |
| 1949 | Pygmalion | George Bernard Shaw |
| 1949 | The Barretts of Wimpole Street | Rudolf Besier |
| 1949 | The Corn Is Green | Emlyn Williams |
| 1949 | The Heiress | Ruth and Augustus Goetz |
| 1949 | The Man Who Came to Dinner | Kaufman & Hart |
| 1949 | The Medium, The Telephone | Gian Carlo Menotti |
| 1949 | The Philidelphia Story | Philip Barry |
| 1949 | Up to Now | Clay Warnic |
| 1950 | Angel Street | Patrick Hamilton |
| 1950 | Caesar and Cleopatra | George Bernard Shaw |
| 1950 | Dear Brutus | James M. Barrie |
| 1950 | Harvey | Mary Chase |
| 1950 | Knickerbocker Holiday | Maxwell Anderson, Kurt Weill |
| 1950 | Light Up the Sky | Moss Hart |
| 1950 | Miss Mabel | R.C. Sherriff |
| 1950 | One Woman Show, Song and Piano | *** |
| 1950 | Over 21 | Ruth Gordon |
| 1950 | The Devil's Disciple | George Bernard Shaw |
| 1950 | The Lady From the Sea | Henrik Ibsen |
| 1950 | The Post Road | Wilbur Daniel Steele, Norma Mitchell |
| 1950 | The Second Man | S.N. Behrman |
| 1950 | The Winslow Boy | Terence Rattigan |
| 1951 | A Souvenir From Italy | Louis Ducreaux |
| 1951 | Ann Lucasta | Philip Yordan |
| 1951 | Border Be Damned | Paul Vincent Carroll |
| 1951 | Candida | George Bernard Shaw |
| 1951 | Clutterbuck | Benn W. Levy |
| 1951 | Here Today | George Oppenheimer |
| 1951 | Home at Seven | R.C. Sherriff |
| 1951 | Mirror, Mirror | George Oppenheimer |
| 1951 | Music in the Air | Jerome Kern, Oscar Hammerstein II |
| 1951 | Pal Joey | Richard Rodgers, Lorenz Hart, John O'Hara |
| 1951 | The Curtain Rises | B.M. Kaye |
| 1951 | The Fourposter | Jan de Hartog |
| 1951 | The Fourposter | Jan de Hartog |
| 1951 | The Gioconda Smile | Aldous Huxley |
| 1951 | The Innocents | William Archibold |
| 1951 | The Silver Whistle | Robert E. McEnroe |
| 1952 | An Evening with Beatrice Lillie | *** |
| 1952 | Biography | S.N. Behrman |
| 1952 | Come Back, Little Sheba | William Inge |
| 1952 | Comin' Thro' the Rye | Warren P. Munsell, Robert Burns |
| 1952 | Dangerous Corner | J.B. Priestley |
| 1952 | Her Cardboard Lover | Jacques Deval |
| 1952 | I Found April | George Baston |
| 1952 | On Your Toes | Richard Rodgers, Lorenz Hart |
| 1952 | One Touch of Venus | Kurt Weill, S.J. Perelman, and Ogden Nash |
| 1952 | Remains to be Seen | Howard Lindsay, Russel Crouse |
| 1952 | The Happy Time | Samuel Taylor |
| 1952 | The Man | Mel Dinelli |
| 1952 | The Premier Ballet | *** |
| 1952 | The Second Threshold | Philip Barry |
| 1953 | Man and Superman | George Bernard Shaw |
| 1953 | Pygmalion | George Bernard Shaw |
| 1953 | Red Sky at Morning | Edward Mabley & Joanna Roos |
| 1953 | The Happiest Days of Your Life | John Dighton |
| 1953 | The Lady's not for Burning | Christopher Fry |
| 1953 | The School for Scandal | Richard Brinsley Sheridan |
| 1954 | Heartbreak House | George Bernard Shaw |
| 1954 | Outward Bound | Sutton Vane |
| 1954 | The Cocktail Party | T.S. Eliot |
| 1954 | The Country Girl | Clifford Odets |
| 1954 | The Male Animal | James Thurber & Elliot Nugent |
| 1954 | Venus Observed | Christopher Fry |
| 1955 | As You Like It | William Shakespeare |
| 1955 | Oh, Men! Oh, Women! | Edward Chodorov |
| 1955 | Ring Round the Moon | Jean Anouilh |
| 1955 | The Time of Your Life | William Saroyan |
| 1955 | You Never Can Tell | George Bernard Shaw |
| 1956 | Much Ado About Nothing | William Shakespeare |
| 1956 | Sabrina Fair | Samuel Taylor |
| 1956 | The Old Boy | Maura Laverty |
| 1956 | Tiger at the Gates | Jean Giraudoux |
| 1956 | You Can't Take It With You | Kaufman & Hart |
| 1957 | Half in Earnest | Vivian Ellis |
| 1957 | Holiday for Lovers | Ronald Alexander |
| 1957 | Ondine | Jean Giraudoux |
| 1957 | The Hidden River | Ruth & Augustus Goetz |
| 1957 | The Potting Shed | Graham Greene |
| 1958 | Caesar and Cleopatra | George Bernard Shaw |
| 1958 | King of Hearts | Jean Kerr & Eleanor Brooke |
| 1958 | The Cave Dwellers | William Saroyan |
| 1958 | The Enchanted | Jean Giraudoux |
| 1958 | Under Milk Wood | Dylan Thomas |
| 1959 | Death of a Salesman | Arthur Miller |
| 1959 | Rashomon | Fay and Michael Kanin |
| 1959 | Royal Gambit | Herman Gressieker |
| 1959 | Say, Darling | Abe Burrows, Richard Bissell, Marian Bissell, Adolph Green, Betty Comden, and Jule Styne |
| 1959 | The Power and the Glory | Denis Cannan & Pierre Bost |
| 1960 | Antony and Cleopatra | William Shakespeare |
| 1960 | Elektra | Jean Giraudoux |
| 1960 | Life With Father | Howard Lindsay, Russel Crouse |
| 1960 | The Bespoke Overcoat | Wolf Mankowitz |
| 1960 | The Shadow of a Gunman | Sean O'Casey |
| 1960 | The Skin of Our Teeth | Thornton Wilder |
| 1961 | A Phoenix Too Frequent | Christopher Fry |
| 1961 | Candida | George Bernard Shaw |
| 1961 | Cecile or The School for Fathers | Jean Anouilh |
| 1961 | The Fantasticks | Tom Jones, Harvey Schmidt |
| 1961 | The Little Foxes | Lillian Hellman |
| 1961 | The Sea Gull | Anton Chekhov |
| 1961 | The Tavern | George M. Cohan |
| 1961 | The Teahouse of the August Moon | John Patrick |
| 1962 | Arms and the Man | George Bernard Shaw |
| 1962 | Little Mary Sunshine | Rick Besoyan |
| 1962 | Rhinoceros | Eugene Ionesco |
| 1962 | The Matchmaker | Thornton Wilder |
| 1962 | Write Me a Murder | Frederick Knott |
| 1963 | Plays From Bleeker Street | Thornton Wilder |
| 1963 | Romulus | Freidrich Durrenmott |
| 1963 | The Caretaker | Harold Pinter |
| 1963 | The Visit | Friedrich Duerrenmott |
| 1963 | Time Remembered | Jean Anouilh |
| 1964 | Leave it to Jane | Jerome Kern, Guy Bolton, P.G. Wodehouse |
| 1964 | Linda Stone is Brutal | William F. Brown |
| 1964 | Mother Courage and her Children | Bertolt Brecht |
| 1964 | The Bum's Rush | Leo Brady |
| 1964 | Thieves' Carnival | Jean Anouilh |
| 1965 | A Raisin in the Sun | Lorraine Hansberry |
| 1965 | Poor Richard | Jean Kerr |
| 1965 | Tartuffe | Moliere |
| 1965 | The Bald Soprano | Eugene Ionesco |
| 1965 | The Dumb Waiter | Harold Pinter |
| 1965 | The Rose Tattoo | Tennessee Williams |
| 1965 | The Zoo Story | Edward Albee |
| 1965 | Waiting for Godot | Samuel Beckett |
| 1966 | A Man for All Seasons | Robert Bolt |
| 1966 | Hogan's Goat | William Alfred |
| 1966 | Man and Superman | George Bernard Shaw |
| 1966 | Stephen D | James Joyce |
| 1966 | The Cherry Orchard | Anton Chekhov |
| 1967 | A Slight Ache | Harold Pinter |
| 1967 | A Streetcar Named Desire | Tennessee Williams |
| 1967 | Richard III | William Shakespeare |
| 1967 | The Chairs | Eugene Ionesco |
| 1967 | The Millionairess | George Bernard Shaw |
| 1967 | The Sand Box | Edward Albee |
| 1967 | The School for Wives | Moliere |
| 1968 | A Flea in Her Ear | Georges Feydeau |
| 1968 | A Taste of Honey | Shelagh Delaney |
| 1968 | Life With Father | Howard Lindsay & Russel Crouse |
| 1968 | Tango | Slawomir Mrozek |
| 1968 | The Coldest War of All | Aristophanes and Divers Hand |
| 1968 | The Physicists | Friedrich Duerrenmott |
| 1968 | The Playboy of the Western World | John Millington Synge |
| 1969 | Christabel and the Rubicon | H.J. Moorman |
| 1969 | Joe Egg | Peter Nichols |
| 1969 | Never Too Late | Sumner Arthur Long |
| 1969 | The Rehearsal | Jean Anouilh |
| 1969 | Who's Afraid of Virginia Wolf | Edward Albee |
| 1970 | Blithe Spirit | Noel Coward |
| 1970 | Enter a Free Man | Tom Stoppard |
| 1970 | Little Murders | Jules Feiffer |
| 1970 | Madigan's Lock | Hugh Leonard |
| 1970 | The Price | Arthur Miller |
| 1971 | Child's Play | Robert Marasco |
| 1971 | Hay Fever | Noel Coward |
| 1971 | The Homecoming | Harold Pinter |
| 1971 | Two for the Seesaw | William Gibson |
| 1971 | Whispers on the Wind | John B. Kuntz |
| 1972 | Home | David Storey |
| 1972 | Play Strindberg | Friedrich Duerrenmott |
| 1972 | Tartuffe | Moliere |
| 1972 | The Effect of Gamma Rays | Paul Zindel |
| 1972 | The Patrick Pearse Motel | Hugh Leonard |
| 1973 | A View from the Bridge | Arthur Miller |
| 1973 | Da | Hugh Leonard |
| 1973 | Private Lives | Noel Coward |
| 1973 | The Mousetrap | Agatha Christie |
| 1973 | The Tavern | George M. Cohan |
| 1974 | Crime & Punishment | Dostoevsky, Leo Brady |
| 1974 | Happy End | Bertolt Brecht and Kurt Weill |
| 1974 | Summer | Hugh Leonard |
| 1974 | The Miser | Moliere |
| 1974 | Tonight at 8:30 | Noel Coward |
| 1975 | Irishman | Hugh Leonard |
| 1975 | The Glass Menagerie | Tennessee Williams |
| 1975 | The Good Doctor | Neil Simon |
| 1975 | The Show-Off | George Kelly |
| 1975 | The Unexpected Guest | Agatha Christie |
| 1976 | All the Nice People | Hugh Leonard |
| 1976 | Mary, Mary | Jean Kerr |
| 1976 | Spider's Web | Agatha Christie |
| 1976 | The Importance of Being Earnest | Oscar Wilde |
| 1976 | Uncle Vanya | Anton Chekhov |
| 1977 | Absurd Person Singular | Alan Ayckbourn |
| 1977 | Philadelphia, Here I come | Brian Friel |
| 1977 | That Championship Season | Jason Miller |
| 1977 | The Tenth Mann | Paddy Chayefsky |
| 1977 | Towards Zero | Agatha Christie |
| 1978 | Black Coffee | Agatha Christie |
| 1978 | Father Time | Leo Brady |
| 1978 | Joseph and the Amazing Technicolor Dream Coat | Tim Rice, Andrew Lloyd Webber |
| 1978 | Joseph and the Amazing Technicolor Dream Coat | Tim Rice, Andrew Lloyd Webber |
| 1978 | Juno and the Paycock | Sean O'Casey |
| 1978 | The Miracle Worker | William Gibson |
| 1979 | All the Way Home | Tad Mosel |
| 1979 | Joseph and the Amazing Technicolor Dream Coat | Tim Rice, Andrew Lloyd Webber |
| 1979 | Murder at the Vicarage | Agatha Christie |
| 1979 | Spokesong | Stewart Parker, Jimmy Kennedy |
| 1979 | The Bat | Mary Roberts Rinehart, Avery Hopwood |
| 1979 | The Caretaker | Harold Pinter |
| 1980 | A Murder is Announced | Agatha Christie |
| 1980 | Bedroom Farce | Alan Ayckbourn |
| 1980 | Hotel Universe | Philip Barry |
| 1980 | Joe Egg | Peter Nichols |
| 1980 | The Price | Arthur Miller |
| 1981 | A Life | Hugh Leonard |
| 1981 | Filumena | Edwardo de Filippo |
| 1981 | God's Favorite | Neil Simon |
| 1981 | The Fantasticks | Tom Jones, Harvey Schmidt |
| 1981 | Verdict | Agatha Christie |
| 1982 | Candida | George Bernard Shaw |
| 1982 | Songbook | Monty Norman, Julian More |
| 1982 | The Hasty Heart | John Patrick |
| 1982 | The Hollow | Agatha Christie |
| 1982 | The Shadow of a Gunman | Sean O'Casey |
| 1983 | Love from a Stranger | Agatha Christie |
| 1983 | Misalliance | George Bernard Shaw |
| 1983 | The Dresser | Ronald Harwood |
| 1983 | The Time of Your Life | William Saroyan |
| 1984 | Crimes of the Heart | Beth Henley |
| 1984 | Do Black Patent Leather Shoes Really Reflect Up | John R. Powers, James Quinn, Alaric Jans |
| 1984 | Enter a Free Man | Tom Stoppard |
| 1984 | The Gin Game | D.L. Coburn |
| 1985 | Baby | Sybille Pearson, David Shire, Richard Maltby,Jr |
| 1985 | Do Black Patent Leather Shoes Really Reflect Up | John R. Powers, James Quinn, Alaric Jans |
| 1985 | Painting Churches | Tina Howe |
| 1985 | The Foreigner | Larry Shue |
| 1985 | The Foreigner | Larry Shue |
| 1985 | The Miss Firecracker Contest | Beth Henley |
| 1986 | A Little Night Music | Hugh Wheeler, Stephen Sondheim |
| 1986 | A Man for All Seasons | Robert Bolt |
| 1986 | Betrayal | Harold Pinter |
| 1986 | Death Trap | Ira Levin |
| 1986 | Educating Rita | Willy Russell |
| 1986 | Little Shop of Horrors | Howard Ashman, Alan Menken |
| 1987 | A Taste of Honey | Shelagh Delaney |
| 1987 | Acting Shakespeare | William Shakespeare |
| 1987 | Born Yesterday | Garson Kanin |
| 1987 | Noises Off | Michael Frayn |
| 1987 | Noises Off | Michael Frayn |
| 1987 | The Boys from Syracuse | Richard Rodgers, Lorenz Hart, and George Abbott |
| 1987 | The Crucifer of Blood | Paul Giovanni |
| 1988 | Brighton Beach Memoirs | Neil Simon |
| 1988 | Mass Appeal | Bill C. Davis |
| 1988 | Pack of Lies | Hugh Whitemore |
| 1988 | Side By Side By Sondheim | Stephen Sondheim |
| 1988 | The Butterfingers Angel… | William Gibson |
| 1988 | The House of Blue Leaves | John Guare |
| 1989 | A Shayna Maidel | Barbara Lebow |
| 1989 | Fallen Angels | Noel Coward |
| 1989 | Lucky Stiff | Lynn Ahrens, Stephen Flaherty |
| 1989 | The Nerd | Larry Shue |
| 1989 | The Return of Herbert Bracewell | Andrew Johns |
| 1990 | Dennis the Menace | Hank Ketcham, Ernest Chambers |
| 1990 | Rough Crossing | Tom Stoppard |
| 1990 | The Secret Rapture | David Hare |
| 1990 | The Woman in Black | Stephen Mallatratt, Susan Hill |
| 1990 | You Can't Take It With You | Kaufman & Hart |
| 1991 | I'm Not Rappaport | Herb Gardner |
| 1991 | Marry Me a Little | Craig Lucas, Norman Rene, and Stephen Sondheim |
| 1991 | See How They Run | Philip King |
| 1991 | The Elephant Man | Bernard Pomerance |
| 1991 | The Petition | Brian Clark |
| 1992 | I Hate Hamlet | Paul Rudnick |
| 1992 | Illegal Motion | Bernie DeLeo |
| 1992 | Prelude to a Kiss | Craig Lucas |
| 1992 | The Miracle Worker | William Gibson |
| 1992 | Wuthering Heights | Edward Trach |
| 1993 | For Reasons That Remain Unclear | Mart Crowley |
| 1993 | Holiday Memories | Truman Capote |
| 1993 | Lend Me A Tenor | Ken Ludwig |
| 1993 | Lyndon | James Prideaux |
| 1993 | Shadowlands | William Nicholson |
| 1993 | Show Me Where the Good Times Are | Leonora Thuna |
| 1993 | The Tavern | George M. Cohan |
| 1993 | Voice of the Prairie | John Olive |
| 1994 | A Small Family Business | Alan Ayckbourn |
| 1994 | Cinderella | Richard Rodgers and Oscar Hammerstein II |
| 1994 | Hot 'n' Cole | Cole Porter |
| 1994 | Sight Unseen | Donald Margulies |
| 1994 | The Night of the Iguana | Tennessee Williams |
| 1994 | The Sweet Revenge of Louisa May | Burton Cohen |
| 1994 | The Trip to Bountiful | Horton Foote |
| 1995 | A Streetcar Named Desire | Tennessee Williams |
| 1995 | Dracula | Bram Stoker |
| 1995 | Jacques Brel is Alive and Well and Living in Paris | Jacques Brel, Eric Blau, and Mort Shuman |
| 1995 | M Butterfly | David Henry Hwang |
| 1995 | The Best of Friends | Hugh Whitemore |
| 1995 | The Little Prince | John Scoullar |
| 1995 | When We Are Married | J.B. Priestley |
| 1996 | After Play | Anne Meara |
| 1996 | Broken Glass | Arthur Miller |
| 1996 | Design for Living | Noel Coward |
| 1996 | Mrs. Warren's Profession | George Bernard Shaw |
| 1996 | The Fifth Season | Kathleen Cahill, Deborah Wicks Lapuma |
| 1996 | To Kill A Mockingbird | Christopher Sergel, Harper Lee |
| 1996-7 | Cinderella | Richard Rodgers and Oscar Hammerstein II |
| 1997-8 | Peter Pan | J.M. Barrie |
| 1998-9 | Holiday Memories | Truman Capote, Russell Vandenbroucke |
| 1997 | Arms and the Man | George Bernard Shaw |
| 1997 | Becket | Jean Anouilh |
| 1997 | Look! We Have Come Through | J. Petosa & C.G.Lehan (D.H. Lawrence) |
| 1997 | Noises Off | Michael Frayn |
| 1997 | Romeo & Juliet | William Shakespeare |
| 1997 | The Importance of Being Earnest | Oscar Wilde |
| 1998 | A Raisin in the Sun | Lorraine Hansberry |
| 1998 | Amadeus | Peter Shaffer |
| 1998 | Camille | Alexandre Dumas, fils |
| 1998 | Good | C.P. Taylor |
| 1998 | Mad Forest | Caryl Churchill |
| 1998 | Present Laughter | Noel Coward |
| 1998 | Racing Demon | David Hare |
| 1999 | A Question of Mercy | David Rabe |
| 1999 | Death of a Salesman | Arthur Miller |
| 1999 | Equus | Peter Shaffer |
| 1999 | Joseph and the Amazing Technicolor Dream Coat | Tim Rice, Andrew Lloyd Webber |
| 1999 | Light Up the Sky | Moss Hart |
| 1999 | Peter Pan | J.M. Barrie |
| 1999 | The Road to Mecca | Athol Fugard |
| 2000 | Hay Fever | Noel Coward |
| 2000 | Man of La Mancha | Dale Wasserman, Joe Darion, and Mitch Leigh |
| 2000 | Sueno | Jose Rivera, based on a play by Don Pedro Calderon de la Barca |
| 2000 | Tartuffe | Moliere |
| 2000 | The Madwoman of Chaillot | Jean Giradoux |
| 2000 | Therese Raquin | Emile Zola, ad. Neal Bell |
| 2000 | West Side Story | Arthur Laurents, Stephen Sondheim, and Leonard Bernstein |
| 2001 | Art | Yasmina Reza |
| 2001 | Bye Bye Birdie | Charles Strouse, Lee Adams, and Michael Stewart |
| 2001 | Holiday | Philip Barry |
| 2001 | She Loves Me | Jerry Bock, Sheldon Harnick, and Joe Masteroff |
| 2001 | The Homecoming | Harold Pinter |
| 2001 | The Real Thing | Tom Stoppard |
| 2001 | The Rivals | Richard Brinsley Sheridan |
| 2002 | Candida | George Bernard Shaw |
| 2002 | Coffee With Richelieu | Norman Allen |
| 2002 | Collected Stories | Donald Margulies |
| 2002 | Driving Miss Daisy | Alfred Uhry |
| 2002 | Grease | Jim Jacobs and Warren Casey |
| 2002 | The Laramie Project | Moises Kaufman/Tectonic Theater Project |
| 2002 | The Secret Garden | Marsha Norman and Lucy Simon |
| 2003 | Dames at Sea | George Haimsohn, Robin Miller, and Jim Wise |
| 2003 | The Miser | Moliere |
| 2003 | Private Lives | Noel Coward |
| 2003 | Monster | Neal Bell |
| 2003 | Anna Karenina | Helen Edmundson |
| 2003 | Charley's Aunt | Brandon Thomas |
| 2003 | The Gift of the Magi | by Mark St.Germain |
| 2004 | Having Our Say | Emily Mann |
| 2004 | Oh, Coward! | Roderick Cook and Noel Coward |
| 2004 | Necessary Targets | Eve Ensler |
| 2004 | Copenhagen | Michael Frayn |
| 2004 | Venus | Suzan-Lori Parks |
| 2004 | Blithe Spirit | Noel Coward |
| 2004 | Carousel | Richard Rodgers and Oscar Hammerstein II |
| 2005 | Saint Joan | George Bernard Shaw |
| 2005 | Omnium Gatherum | Theresa Rebeck and Alexandra Gersten Vassilaros |
| 2005 | Lend Me A Tenor | Ken Ludwig |
| 2005 | La Tragedie de Carmen | Peter Brook, Marius Constant, and Georges Bizet |
| 2005 | The Miracle Worker | William Gibson |
| 2005 | Morning's at Seven | Paul Osborn |
| 2005 | Oliver! | Lionel Bart |
| 2006 | The Heiress | Augustus and Ruth Goetz |
| 2006 | Anything Goes | Cole Porter, P.G. Wodehouse, Howard Lindsay, Russel Crouse, Timothy Crouse, and John Weidman |
| 2006 | The Elephant Man | Bernard Pomerance |
| 2006 | Hedda Gabler | Henrik Ibsen, translated by Rolf Fjelde |
| 2006 | Jacques Brel is Alive and Well and Living in Paris | Jacques Brel, Eric Blau, and Mort Shuman |
| 2006 | An Enemy of the People | Henrik Ibsen, translated by Rolf Fjelde |
| 2006 | The Foreigner | Larry Shue |
| 2006 | Cinderella | Richard Rodgers and Oscar Hammerstein II |
| 2007 | The Constant Wife | W. Somerset Maugham |
| 2007 | Eubie! | Music by Eubie Blake, conceived by Julianne Boyd |
| 2007 | I Am My Own Wife | Doug Wright |
| 2007 | 13 Rue De L'Amour | Georges Feydeau, adapted and translated by Mawby Green and Ed Feilbart |
| 2007 | Brooklyn Boy | Donald Margulies |
| 2007 | Democracy | Michael Frayn |
| 2007 | Of Mice and Men | John Steinbeck |
| 2007 | Fiddler on the Roof | Joseph Stein, Jerry Bock, and Sheldon Harnick |
| 2008 | Doubt: A Parable | John Patrick Shanley |
| 2008 | Bad Dates | Theresa Rebeck |
| 2008 | 1776 | Peter Stone and Sherman Edwards |
| 2008 | The Mousetrap | Agatha Christie |
| 2008 | Stuff Happens | David Hare |
| 2008 | Rabbit Hole | David Lindsay-Abaire |
| 2008 | The Underpants | adapted by Steve Martin; from a play by Carl Sternheim |
| 2008 | Peter Pan | Mark Charlap, Carolyn Leigh, and J.M. Barrie |
| 2009 | Is He Dead? | Mark Twain; adapted by David Ives |
| 2009 | King of the Jews | By Leslie Epstein; a World Premiere |
